In the murky underworld of 1960s London a family fight to re-establish order following the death of a patriarch.

Inspired by the story of Salome and the beheading of John the Baptist this retelling aims to challenge the traditional representation of Salome as a seductress – a reputation that has been propagated throughout history in paintings, theatre, opera, and film and which seems to be tied up in the biblical Madonna/whore dialectic, which all too often continues to define female representations in mainstream media.