For people who are used to living in a democratic society or at least a slightly democratic society, it has always been interesting to imagine another world: to understand a society that lives according to special laws and a pre-planned life, to predict the path of events and understand the logic of the actions of people living in a closed society — a rebellion or complete humility.

“The sting” is one of the good old-fashioned films with an unexpected ending. Aspiring con man Johnny Hooker decides to unite with old pro Henry Godorff in order to take revenge on Doyle Lonnegan, who killed their mutual friend. The main characters create a very complex and subtle plan that the villain does not understand that he has fallen into a trap. But nothing goes smoothly. At the last moment, the heroes have to improvise in order to win. In this exciting story, you can learn a lot of things and learn more about the casino. Obviously, we are not talking about particulars, where you can use the service modes and bonuses like – 50 free spins no deposit casinos in Canada, but this film is still for you to master some tricks. The film was nominated for 10 Oscars and won 7 of them, including Best Picture of the Year. The film is regarded as a classic of the heist and buddy movie genres.

An anti-utopia is intended to portray a fictional world and social order. The purpose of the genre is to draw attention to the problems that really exist in politics, economy, religion, and social structure. It debunks the myth of building an ideal world through a totalitarian system.
When it comes to utopias in cinema, it is difficult to define the boundaries of the genre. Filmmakers usually make movies about a not-too-distant future in which the scenario of an ideal society has failed. It is only natural that dystopias appear on the screens during the post-crisis period and speak to the viewer about the recent past and present.

How anti-utopia films can help

Despite the different paths of historical development, the authors from a lot of countries describe in dystopias precisely the deprivation of freedom of speech and choice as the main evil of the new society. This was clearly influenced by fears of the information revolution and the erasure of individuality in the person in recent decades. In Asian dystopias, the emphasis shifts more to class stratification and the replacement of a person with a robot.

Utopias are a little different in that they evoke not light sadness, but sometimes very unpleasant emotions, up to and including disgust. By experiencing anxiety, fear and apathy together with the hero, sitting at home with a cup of cocoa and under a soft blanket, we release the accumulated stress.
Anti-utopias tend to do this better than utopias in which everything is too soft, fluffy and beautiful. Films about a sad future are a good way to warn society: the worst is yet to come. Pessimism is generally called the catalyst for evolution.

The best of the genre

When choosing which movie to watch today, consider the following list:

    Blade Runner 2049;


    Seven Sisters;



    Cloud Atlas;



    Soylent Green.

These are the most recent examples, not considering popular movies like Gattaca, Fahrenheit 451, Equilibrium or 1984.

Fears and a conflict with the state create fatigue. People want to live in harmony, to experience as little stress as possible. As a result, there are inquiries in the literature on the topics described in the dystopias. People are immersed in a seemingly real, but so unattainable world in which there are the conditions for an ideal life, work, and relationships, where there is no place for fear, and where there is equality. The genre of dystopia will always be popular if the world is imperfect and there are universal problems to be solved.