The Clerk and the Cocksman // First Read Radio

The Clerk and the Cocksman

Turning short films scripts into radio plays! First Read Radio is a beefed up table read professionally recorded with voice actors and sound designed by a team of top-notch audiophiles all while under the direction of an experienced storytelling team.

Submit a ScreenplayMore Episodes

One man needs to get out of his slump with the ladies but the headquarters of his mind fall into chaos and the only one that can stop a dangerous coup is the lone neuron from the mail room.

Credits

Written by: Nick Coleman
Directed by: Gary Jones
Sound Supervisor and Editor: Ryan Gottshall
Produced by: Awfully Good Media

Cast

Narrator: Rayne Potter
Steve: Kyle Brady
Agent Cocksman: Sean Crampton
Wernicke: Brian Lally
Brent: Connor Green
Todd: William Gabriel Grier
Boca: Jeffrey Oliphant

Recorded at Spacewalk Sound
www.spacewalksound.com


Barely Alive // First Read Radio

Barely Alive

Turning short films scripts into radio plays! First Read Radio is a beefed up table read professionally recorded with voice actors and sound designed by a team of top-notch audiophiles all while under the direction of an experienced storytelling team.

Submit a ScreenplayMore Episodes

After the world seems to have ended due to an airborne virus, a resilient brother does everything he can to keep his 12-year-old sister safe. 

Credits

Written by: Bryce Lane, Garrett Sheeks, and Gary Jones
Directed by: Gary Jones
Sound Supervisor and Editor: Ryan Gottshall
Produced by: Awfully Good Media

Recorded at Spacewalk Sound
spacewalksound.com

Cast

Narrator: Kerry Nash
Will: William Gabriel Grier
Ana: Marley Fang
Tom: Charles Brettner
Laura: Analysia Gramajo

Have a script you’d like to hear on the show? Head over to www.filmshortage.com/firstreadradio to submit today. We’re accepting scripts 15 pages or less for season 2 now.

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Far From The Trees // First Read Radio

Far From The Trees

Turning short films scripts into radio plays! First Read Radio is a beefed up table read professionally recorded with voice actors and sound designed by a team of top-notch audiophiles all while under the direction of an experienced storytelling team.

Submit a ScreenplayMore Episodes

The saying goes “boys will be boys,” however when a prank goes too far for Gillian, she conjures the creature of the forest to help her settle the score. But, how far is too far?

Credits

Written by: Gary Jones
Directed by: Gary Jones
Sound Supervisor and Editor: Ryan Gottshall + Gary Jones
Produced by: Awfully Good Media

Cast

Narrator: Sean Barnhill
Gillian: Jamie Creedon
Billy/Teacher: Simon Hill

Have a script you’d like to hear on the show? Submit today! We’re accepting scripts 15 pages or less for season 2 now.

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Far From the Trees


FAR FROM THE TREE


Written by


Gary A. Jones

FADE IN:


EXT. SCHOOL - MORNING


Angle on a large black eyeball, not human, but amphibian. Reflected is an old brick and mortar school house. A GECKO crawls across a concrete wall, making its way toward the main planters on the other side of the walkway.


A loud bell RINGS out, stopping the little guy in his tracks.


Countless pairs of feet storm passed it as the gecko tries to evade multicolored shoes stampeding toward the front doors of the building.


THWACK!


And just like that, the gecko is flattened. A rock is pulled back to reveal a dark haired boy with cold eyes brandishing a hellish grin; this is BILLY, 13. He quickly admires his work, then hustles back with the rest of the STUDENTS.


We are left staring at a gruesome murder scene of one defenseless gecko. GILLIAN, 13, wears a generic plaid school uniform and unconventional fiery red hair.


Billy observes from a distance as Gillian gently picks up the carcass and places it into a small hole dug into the soft soil. Sending the gecko to a place of rest.


The last bell RINGS as...


INT. CLASSROOM - MOMENTS LATER


...Gillian sits in the center of an unruly classroom buried deep into a book designed with beautifully ornate foliage and gold leaf ink. The title on the front reads: Tales from the Mythic Forest.


CUT TO:


EXT. TRACK FIELD - DAY


Students sprint across a green field tossing balls, playing tag. Gillian sits perched against a tree, flipping through pages of old Celtic drawings depicting a man grown from the earth.


CUT TO:

EXT. SCHOOL - DAY


Gillian straddles a cement wall, rummaging through a brown paper sack. She pulls out a sandwich and unwraps it. A gentle breeze flows through her hair and for a brief moment she takes time to be present with Mother Nature.


Billy and a brood of his idiotic buddies, maybe 2-3, watch as Gillian feels the wind move all around her. It’s weird.

Different.


The moment passes and Gillian takes a bite of her sandwich. Immediately she springs to her feet spitting everything to ground. She looks to find a tail of the gecko on the floor.


Billy laughs uncontrollably, starting a chain reaction of giggles and pointed fingers throughout the yard.


CUT TO:


INT. CLASSROOM - DAY SMACK!

A ruler hits against a chalkboard held by a TEACHER wearing a tweed jacket and a greasy comb-over, his names not important, all that’s important is the word CHAMELEON written across the board.


TEACHER

Who can tell me how the chameleon manages to stay alive in the wild?


Rows of kids roll their eyes. Some asleep. Some glazed over looking off into nothing.


Agitated tapping is heard behind Gillian who's sketching flowers and vines onto paper.


The tapping develops into a loud and heavy rhythmic thud with ever stroke of her pencil. Gillian peers at the ticking clock on the wall. The second hand in sync with the tapping.


Quickly it builds momentum till aggravation sets in. She presses the lead deeper and deeper into the paper unit, snap!


She swiftly turns behind her to find the source of her angst coming from Billy who's staring right at her. His dirt infested fingers tapping on the desk.


TEACHER (CONT’D)

Gillian?

Gillian’s face turns red as she looks around the room to, everyone staring back at her.


She stands from her desk. All eyes on her.

GILLIAN

Camouflage.

TEACHER

What about it?

Gillian finds Billy glaring at her intently.

GILLIAN

It’s used to blend into an environment so it can be hidden.


Billy’s eyes are fixed on Gillian as she stands there. Uncomfortable in her own skin. Naked and in the open.


RING!

CUT TO:


EXT. SCHOOL - AFTERNOON


Gillian storms out of the school doors, rushing down the stairs as fast as her legs can move. She trips, falling to the ground, pages of floral drawings scatter everywhere.


Kids rush from behind, paying no attention.


Billy strides past Gillian, eyes beaming and a grin that makes her skin turn to R.L. Stein goosebumps.


The wind kick her pages into the air, blowing further away from her reach. She chases them down as each gust scatters them further into it the...


WOODS


She grabs the last drawing and finds herself far from the school. Isolated from anyone. Wind rushes through the trees.


Sounds of inaudible whispers creep from behind her. Gillian turns quickly to find nothing but rustling leaves and branches.


She takes notice to a beautiful autumn tree, splashed with vibrant orange, yellow and red fronds.


She takes in the breeze, gently closing her eyes feeling it as it passes through her body.

OVER BLACK


The sounds of the wind moves through the trees all. In the distance, birds chirp at the sun. All of it, together, transforms into one harmonized symphony. Then...


VOICE (O.S.)

(whispers) Hide.


Gillian snaps out of her trance to find Billy standing nose to nose.


Billy shoves her against a tree. Gillian's frightened but not quick to run. Billy reaches into his pocket and pulls out a KNIFE. He thrusts it against her thigh.


BILLY

Let’s see if you’re really a redhead, huh?


The knife glides along her leg and up her skirt. Gillian stands strong, eyes fixed on his. She gasps as the knife slowly digs into her skin. Not too deep. Just enough to get Gillian to squirm.


BILLY (CONT’D)

I don’t see you stopping me.

Blood cascades down her leg as the knife sinks deeper...

BOY (O.S.)

Billy! Come on...


A group of BOYS, 2-3, stand in the distance. Billy puts his knife back into his pocket.


BILLY

See you around.

And just like that, he disappears into the woods. Gillian wipes the tears from her cheeks.

CUT TO:


INT. BEDROOM - NIGHT


Gillian sits at a cluttered vanity mirror, studying herself. She pulls up her skirt to find a puncture mark.


CUT TO:

INT. LIVING ROOM - NIGHT


Wedged between her disconnected PARENTS Gillian stares off into a television her FATHER channel surfs through. Nothing but bullshit advertisements for cookware and golf equipment.


He leaves the channel on an old black and white Creature Feature: Creature from the Black Lagoon.


ON SCREEN:


The gray sea MONSTER bursts out of the water, grabbing it’s victim and dragging them into the depths of the sea.


LIVING ROOM


Gillian’s eyes come back to life. She leans in closer to the screen.


INT. GARAGE - NIGHT


Gillian rummages through old boxes of COSTUMES, uncovering an old ghillie suit and a box of leaves from a production of something with tree’s.


INT. SCHOOL - DAY

Billy glares at Gillian’s empty desk.


EXT. WOODS - AFTERNOON


Billy and his group kick rocks and light firecrackers as they make their way through the woods.


The wind picks up and a gentle howl moves through the trees. Billy takes notice.


BILLY

Quiet.


The Boys stop and all listen. Another faint HOWL in the distance.


BOY 1

What the hell is that?


BOY 2

A wolf?


BOY 3

No wolfs out here.

BOY 2

Yeah there is. My dad told me--


BILLY

Shut up.


A gust of wind blows through the trees and the Boys turn behind them to find a LARGE GREEN MAN, ten feet tall with hands the size of a bears and face like vines.


The Boys escape to the woods for dear life, squealing.


Billy slips over his feet and nose dives into a rock, knocking him out cold.


The Green Man stands laughing watching the Boys shriek in terror and high tail out. Gillian takes the mask off.


GILLIAN

(laughing)

You should have seen your face.


Her eyes widen as she looks at Billy's who’s not moving. She quickly turns him over, revealing a blood soaked mouth.


Gillian peers around for help, but the Boys are already too far. She looks back to Billy who leaps from his unconscious state and wraps his hands around Gillian's neck.


Gillian fights with everything she has, gasping for any bit of air she can.


Gillian's hands fumble to find anything to defend herself with.


BILLY

You like playing games...

She reaches into Billy's pocket, pulling out his KNIFE.


Billy smacks it out of her hand. A brief moment of air. Gillian takes a large gasp before Billy’s hands regroup around her throat. This time tighter.


Gillian’s eyes flutter as life begins to flee. She takes comfort in the wind and the rustling tree branches.


A strong gust blows leaves through the air, revealing a large rock.


Gillian’s fingers stretch toward it and in an instant she pulls up the rock and smashes it again Billy’s head.

Quickly, Gillian straddles Billy and begins to shatter his face into unrecognizable pieces. Blow after blow. She screams out in fear.


With one final THUD, Billy’s body goes limp.


Gillian gazes at the lifeless body. She moves to her feet as the tree’s begin to sing. Wind blows through her, she can feel its energy.


The wind blows leaves that begin to covering Billy’s body. Camouflaging it with the earth.


Gillian stalks past the mound, and blends into the beautiful autumn trees as we...


ROLL CREDITS.

FADE OUT.


Amateurs // First Read Radio

Amateurs

Turning short films scripts into radio plays! First Read Radio is a beefed up table read professionally recorded with voice actors and sound designed by a team of top-notch audiophiles all while under the direction of an experienced storytelling team.

Submit a ScreenplayMore Episodes

What if the movie Fargo and Pineapple Express when on a date and accidentally got pregnant? Well, then you’d have today’s episode “Amateurs”. A story about two morons who end up in the middle of the desert to of course bury a body.

Credits

Written by: Matthew Bryan + Gary Jones
Directed by: Gary Jones
Sound Supervisor and Editor: Ryan Gottshall
Produced by: Awfully Good Media

Recorded at Spacewalk Sound
www.spacewalksound.com

Cast

Narrator: Kerry Nash
Sean: Ryan Marsico
Chad: William Gabriel Grier
The Body: Dylan Werth

Have a script you’d like to hear on the show? Head over to www.filmshortage.com/firstreadradio to submit today. We’re accepting scripts 15 pages or less for season 2 now.

Follow us on:

twitter.com/firstreadradio
facebook.com/firstreadradio
instagram.com/firstreadrado

Amateurs.v2

FADE IN:


EXT. DESERT - DUSK


The land of survival. Let your guard down for a moment, your blood will stain the sand a little darker.


THUNK


A SHOVEL drives into the hardened ground, and pulls out a small chunk of earth inside an already dug foot-deep grave.


CHAD (O.S.)

...And then, because these ants aren’t aware that the spore attaches to ‘em the thing turns ‘em into zombies.


The shovel slams into the dirt, barely takes another chunk out. The person doing the work


SEAN (30s) takes his work very seriously, looks older because he takes life too seriously. He can’t stand that he has to hear this non-sense from


CHAD (30s) overweight and lives by the mantra “work smarter, not harder” and smarter always means making someone else do the work.


Chad stands by his car, continues to blabber as he rolls a JOINT.


CHAD (CONT’D)

And that got me thinkin’. What if these spore things, what if they got into humans, you know?


SEAN

Will you shut up already!? That can’t, won’t, and will never happen.


CHAD

How do you know?

SEAN

Because, it just can’t.

Chad stares, clearly lost.

Sean shakes his head, tosses the shovel aside.

SEAN (CONT’D)

(sighs)

The hell with this ground, we’ve been here two hours and I barely made a dent. How about you get your ass in here and see if you get any further.


CHAD

I can’t jump down in there, I’m hypoglycemic, you know that. I can feel my blood sugar plummeting.


SEAN

So what, you just going to sit there and watch?


CHAD

I’m standing.


Sean glances into the back seat of the car, there sits a beaten and bloodied CORPSE.


SEAN

What are we gonna about that then?


Chad rolls his eyes and stomps over to the car, pops the trunk, pulls out a CAN OF GASOLINE.


CHAD

Work smarter, not harder.

Sean rolls his eyes, he’s heard that before.

CHAD (CONT’D)

This is a better idea anyway, burning the body ensures he won’t come back to eat raw flesh.

(to Sean)

Get him out of the car.

Sean heads to the car.

SEAN

Never going to happen.

CHAD

Don’t say never.


Sean opens the door, drags the body out. Corpse hits the ground with a THUD.


Sean begins to pull the body, but it doesn’t look as easy as they make it in the movies.

Sean looks to Chad, gives him the “help me asshole” eyes.


CHAD (CONT’D)

What?


SEAN

You’re really something.

Sean sighs, and begrudgingly gets to dragging on his own.


The Corpse is tossed into the barely dug grave. The Corpse’s face has seen better days; nose broken to shit, a black eye, and bruises. It’s not pretty.


Chad grabs the GAS CAN and pours it on the Corpse’s body. He tosses the can in with the body and holds out his hand.

Sean stares at the extended hand... Gives Chad a solid low- five slap.


CHAD

No, you idiot, the matches.

SEAN

I thought you had em. What were you going to light the joint with, genius?


CHAD

I gave you one job--

SEAN

And what about you, mister “back-up plan?”


Chad tries to keep his seething rage in check.

SEAN (CONT’D)

Maybe that guy has matches in his pockets?


CHAD

The pockets that are soaked in gasoline?


Sean nods, forgot about that.

SEAN

Let’s check the car.


They both amble over to the car, start their desperate search.

The look through the glove compartment, center console, etc. Chad takes the front, Sean checks the back.

CHAD (O.S.)

So, you’re one hundred percent sure zombie’s can’t happen with that spore?


SEAN (O.S.)

Chad, shut up and look.

CHAD (O.S.)

I mean, it could happen some day...

CORPSE SITS UPRIGHT IN THE GRAVE.

SEAN (O.S.)

Chad, for the absolute, last time: it can NEVER happen.


Corpse manages to stand up out of the grave. He nearly falls over.


Corpse stumbles over to Sean and Chad.

SEAN (O.S.) (CONT’D)

Stop the perseverating and find a lighter!


CHAD (O.S.)

Sorry... Mr. College degree. I just think if can happen to dumb ants, why not to us.


SEAN (O.S.)

Because our immune system has adaptive capabilities that prevents shit like that from happening, alright.


Sean pulls down the car visor and down falls a book of MATCHES.


SEAN (CONT’D)

Hey, look what I found--

THWACK


Sean takes the shovel to the back of the head, he’s out, if not dead on impact.


Chad stumbles back, barely avoids the next swing. Eyes go wide at the bloodied body before him.

Chad Immune system my ass.


Chad gets up, sprints off.

Corpse chases after him -- it’s pathetic.


Chad’s too out of shape to stay far ahead, Corpse’s too woozy from the blood loss.


Chad makes one big loop, then heads straight back toward the car.


Corpse grips the shovel, ready to hurl it to stop Chad’s movement--


--Chad topples, falls face first into the dirt.


Corpse limps to Chad’s body. He uses what strength he had left to him over. Chad’s face is blue and unconscious.


Corpse hobbles to the car, he steps over Sean and the blood that pools around his head.


Corpse checks inside, eyes scanning...


Corpse finds the matches on the car seat. He moves to Chad’s body and starts to riffle through it.


Behind Corpse, Sean slowly stands, keeps as quiet as possible. Sean grabs the shovel and continues toward the Corpse. Blood dripping into his eyes.


Barely able to make out the Corpse, Sean raises the shovel and swings it with all his might. He misses and the flow sends him forward tripping over Chad’s body.


Sean hurries to collect himself as the Corpse goes for the shovel again, but before he can get back to his feet...


SMACK!


The Corpse stands over Sean’s body for a moment, then takes a few more whacks at it just incase.


The Corpse searches through Sean’s pockets and finds the car keys.


He jumps in the front seat of the car and turns the ignition. VROOM! It starts.

BING! The low fuel gage chimes on. He looks around for a beat and see’s the red GAS CAN out by the grave.


Exhausted, he sits for a moment. Whistling in and out of his broken nose.


The Corpse sighs and limps his way over. Picks it up and shakes it. Just enough.


He turns, strides past Chad’s corpse... He stops, goes back for the JOINT resting on the floor.


Corpse grabs the joint, admires the craftsmanship. He runs the joint under his nose, tries to breathe... A loud wheeze. This dude can’t smell shit.


Corpse shakes his head; fuck it. He reaches into his chest pocket, pulls out the MATCHES.


Corpse strikes the match, lights up the joint.


He takes a deep drag from the joint, the RED CHERRY GLOWS ON THE FRONT.


CORPSE

Fuckin’ amateurs.


Corpse ashes the joint. The ember falls, lands right on his pant leg--


WHOMPF

--His pants go up in flames!


Corpse screams, tries to put out the flames, but they quickly reach his shirt.


Corpse runs, stumbles into the barely dug grave. He tries to roll it out, but the fire gets to him.


The fire burns inside the barely dug grave as the sun starts to set on the two bodies that stain the sands a little darker.


FADE OUT.


First Read Radio: Grandma's New Boyfriend

Grandma's New Boyfriend

Turning short films scripts into radio plays! First Read Radio is a beefed up table read professionally recorded with voice actors and sound designed by a team of top-notch audiophiles all while under the direction of an experienced storytelling team.

Submit a ScreenplayMore Episodes

Family dinner becomes hard to swallow when Grandma Gertrude brings home her newest boyfriend – her granddaughter’s teacher. Grandma’s New Boyfriend is a funny and wildly absurd short film written by Stephanie Westendorf.

Credits

Written by: Stephanie Westendorf
Directed by: Gary Jones
Sound Supervisor and Editor: Ryan Gottshall
Produced by: Awfully Good Media

Recorded at Spacewalk Sound
www.spacewalksound.com

Cast

Narrator: Matthew Barnes
Caroline: Rhiannon Thomas
Grandma Gertrude: Stephanie Carpentieri
Brad: Devon Crittenden
Grandpa: William Gabriel Grier
Mom: Rachel Gallop
Dad: Melvin Grier
Mr. Larson: Dylan Werth

Grandmas New Boyfriend_R Script


GRANDMA'S NEW BOYFRIEND



Written by Stephanie Westendorf


steph.westendorf@gmail.com 239.994.0671

INT. DINING ROOM


CAROLINE, 16, sits at the dining room table with her brother BRAD, 13, and her DAD, 40s. Her MOM, 40s, enters with food.


MOM

They should be here any minute now.

CAROLINE

I just don’t get why Grandma needs to bring a different guy home every weekend.


BRAD

Um, because she’s a straight up playaaah!


DAD

Right on, Bradster! Exploding fist bump?


They accompany with EXPLODING FIST BUMP SOUND EFFECTS.

BRAD

Exploding fist bump n’ grind.

CAROLINE

That’s so gross.

MOM

Caroline, be nice.

CAROLINE

But--

There’s a KNOCK on the door.

MOM

Come in!


GRANDMA GERTRUDE, 76, enters with her date, MR. LARSON, early 20s.


MOM (CONT’D)

Finally! There are the lovebirds!

GRANDMA GERTRUDE

Hello!

MR. LARSON

Nice to meet you all. I’m--

CAROLINE

Mr. Larson?! Grandma, that’s my math teacher!


GRANDMA GERTRUDE

And my little smarty pants!

BRAD

Noice, Mr. Larson! Keepin’ it real with the G-Spot.


MR. LARSON

I’m sorry?

GRANDMA GERTRUDE

Oh, that’s his nickname for me. The G-Spot. For Grandma Gertrude.

(raising the roof voice) G-Spot in the house!


CAROLINE

Please stop.

DAD

Caroline, is this about you not having a boyfriend? You’ll get there--


CAROLINE

Dad, are you serious?

DAD

It’s normal to feel jealous.

CAROLINE

I am not jealous of my 76-year-old grandmother dating my high school math teacher!


MR. LARSON

Please, call me Dave.

CAROLINE

No.

GRANDMA GERTRUDE

Why don’t we all sit for dinner?

MOM

(suggestive)

I bet you two have worked up an appetite.


The couple GIGGLES as they sit.

GRANDMA GERTRUDE

This one always has an appetite.

CAROLINE

Well, now I’ve lost mine.

DAD

So, how did you two meet?

GRANDMA GERTRUDE

At Caroline’s open house.

CAROLINE

What? Grandma, you said you had to leave early from the open house because you weren’t feeling well.


GRANDMA GERTRUDE

I wasn’t. I was feeling a little flushed and very hot.


Grandma Gertrude and Mr. Larson GIGGLE again.

GRANDMA GERTRUDE (CONT’D)

Davey was so charming. I had never seen anyone command a classroom like your teacher.


MR. LARSON

And I had never seen anyone command a dress like your grandmother.


The two exchange PLAYFUL NOISES and touches with increasing affection until they are full on necking with SLOBBERY KISSES.



Aww.

MOM

DAD

Isn’t that sweet?


CAROLINE

Grandma, I had to take the bus and walk 5 blocks to get home that night. All because you were banging Mr. Larson?


MOM

Caroline! Can you stop being so selfish for once?


CAROLINE

I am going to lose it.

DAD

That’s the spirit, sweetie. Someday, you will lose it. When the right boy comes along--


CAROLINE

Stop!


Or girl--

DAD CAROLINE

Oh my God! Stop!!

Finally, everyone stops and listens to Caroline.

GRANDMA GERTRUDE

What is it, Caroline?

MR. LARSON

I think I know what it is.

MOM

She’s bitter.

MR. LARSON

No, not that.

DAD

Ooh - I know! She’s lonely.

MR. LARSON

Not quite.

BRAD

She’s super lame.

MR. LARSON

Now that’s irrelevant, Brad. Caroline, I get it. You’re not comfortable with your grandmother being in a relationship with a man who’s less than a third of her age. And it’s inappropriate for me to date a student’s grandparent.


CAROLINE

Exactly! Thank you!

MR. LARSON

And it was wrong for her to ditch you at the open house - a young girl on the streets, you could have gotten mugged!

CAROLINE

I did get mugged! I told her that--

MOM

Don’t interrupt him, Caroline!


They are all hanging on Mr. Larson’s every word in his Don Draper-esque pitch speech.


MR. LARSON

But, don’t we all deserve love? I love your grandmother. And I’ll never replace your grandfather; I’m sure he was a great man. I can only hope to make her as happy as he did when he was alive.


CAROLINE

He is alive. He’s upstairs.

MR. LARSON

What’s that now?

CAROLINE

They’ve been married for 50 years.

MR. LARSON

(shocked) Gertrude, I thought--


GRANDMA GERTRUDE

(suddenly more distant)

Oh, Davey, that’s all very sweet. But, love? I thought we were just hooking up on the DL.


MR. LARSON

But--

GRANDMA GERTRUDE

I’m sorry - I just need to send a quick text.


Mr. Larson’s phone CHIMES. He reads a text.

MR. LARSON

Oh that’s me-- (devastated)

Wait...you’re breaking up with me?! Through a text?


MOM

Well, this is awkward.

MR. LARSON

Is this really happening?

DAD

(re: Mr. Larson)

Oof, looks like someone can’t take a hint.


MR. LARSON

I don’t understand--

BRAD

For a math teacher, you sure suck at adding things up.


Brad and Dad do a muffled exploding fist bump.

MR. LARSON

I guess I’ll...go?

BRAD

Get to steppin.

DAD

Brad - give him some time.

After a very uncomfortable 5 seconds or so-

DAD (CONT’D)

Okay, that’s enough time. I’ll walk you out.


MOM

Well, Caroline - anything you want to say for yourself?


GRANDMA GERTRUDE

(to Caroline)

Yea, thanks a lot, buzzkill.

CAROLINE

Wh--

DAD

(returning to the table)

Shhh! Grandpa’s coming.

The stairs CREAK as GRANDPA, 70s, makes his way down.

GRANDPA

I must’ve dozed off. What was in that tea you made me?

GRANDMA GERTRUDE

(suspicious) Just the usual.


GRANDPA

Mm - this food smells amazing. (sitting down at the

table)

Can you pass the butter? (beat)

Was someone at the door earlier?

GRANDMA GERTRUDE

Nope.


They all eat in silence - just the sound of MUNCHING and forks CLINKING on plates.


THE END


First Read Radio : Changes

Changes

Turning short films scripts into radio plays! First Read Radio is a beefed up table read professionally recorded with voice actors and sound designed by a team of top-notch audiophiles all while under the direction of an experienced storytelling team.

Submit a ScreenplayMore Episodes

After Laura Neulip outs her bully she is cornered into lying about what really happened in order to save the reputation of the schools star athlete. In an effort to clear things up, the Neulip’s invite the family over for dinner, but find themselves in a messy situation. CHANGES is a spectacular, ambitious, and extremely satisfying short script written by Matthew Bryan and brought to life by Rhiannon Thomas, Stephanie Carpentieri, Gabriel Grier, Robinson Walsh, Julian Vlcan, and introducing Rayne Potter as the narrator.

Credits

Written by: Matthew Bryan
Directed by: Gary Jones
Produced by: Awfully Good Media

Cast

Narrator: Rayne Potter
Laura: Rhiannon Thomas
Alice: Stephani Carpentieri
David: Gabriel Grier
Tyler: Robinson Walsh
Ben: Julian Vlcan

Sound Supervisor and Editor: Ryan Gottshall

Recorded at Spacewalk Sound
www.spacewalksound.com

Music

Animal Assassins – Colorado 1864
Firework Festival – Game Changer ft. Robin Hawkin
Half Light – From Below
Joel Porter – St. Anthony

Changes


CHANGES



Written by Matthew Bryan

FADE IN:


INT. HOME - NIGHT


You know the home; modest, simple decor, probably looks just like your home.


LAURA NEULIP (13) at the cusp of womanhood in all it’s uncomfortable glory, sets the table with teen angst.


LAURA

Mom, please, I don’t feel good...


ALICE NEULIP (40s) timid, but caring, kind of woman who makes sure everyone’s had their fill before her. She sets out some food.


ALICE

I imagine that young boy didn’t feel too good either after you punched him, Laura.


LAURA

He had it coming.

Laura winces, presses her hand against her stomach.

LAURA (CONT’D)

Please, can’t we do this another night?


DAVID NEULIP (50s), nerd since day one, but a sense of pride in what he is.


DAVID

We have to nip this in the bud, Laura. Don’t want them pressing charges, brining unwanted attention.


LAURA

I should be the one pressing charges!


ALICE

Sweetie, please, no yelling; we’re not animals.


LAURA

And what if they press charges?

DAVID

Your dad always has a back-up plan.

The bell rings, showtime.

DAVID (CONT’D)

One meal and it’ll be over, okay?

Laura nods, whatever.


David strides to the front door, he prepares himself, forced smile and all. He opens the door to


TYLER FARAL (50s) toxic masculinity all the way, if you think you’re the alpha, he’ll make sure to challenge.


BEN FARAL (14) pretty boy MVP, he’s never been told “no.” SCRATCH MARKS along his face show that someone definitely told him no.


DAVID (CONT’D)

Hi, Mr. Faral, welcome!

Tyler sizes David up.

TYLER

Hopefully dinner has more meat on the bones.


DAVID

(nervous)

Ah, yes, well, my weight tends to fluctuate.

(to Ben)

And you must be Ben. I’m so sorry about--


TYLER

Let’s eat first. I like talking on a full stomach.


DAVID

Of course, right in there.

Tyler brushes past David, Ben follows close behind. They enter the dining room, all set and ready.

David goes to pull out Tyler and Ben’s chairs, but Tyler stops him; he can do it himself.


Ben sits across from Laura, but she refuses to make eye contact.


David takes a seat next to Alice.

ALICE

Oh, no misses to join?

TYLER

Not really into the whole marriage idea. I mean, we’re animals, animals aren’t made to be tied down.


DAVID

Good to have packs, though, right?

TYLER

If you need help, I guess.

Alice nods, this guy’s a piece of work.

ALICE

Benjamin, pleasure to meet you. Seem to be healing well, barely noticeable.


BEN

Thanks. Older kids on the football team had fun with it. Lot of jokes.


Awkward silence.


LAURA

I... I need to get some air.

Laura rises, quickly heads off.

ALICE

Pain of becoming a woman, I’m afraid.


TYLER

Hormones can really flip a switch, can’t they? Fun one minute, lashing out the next.


Alice and David know the implication.

BEN

Bathroom?

Alice motions down the hall, Ben politely excuses himself.

DAVID

Big kid for his age, lot of muscle.

TYLER

Got him on the same program I had when I was his age. I hate to be blunt, but here’s the deal. Ben has a bright future; high school, college then pro. Things that hinder that progress: rumors.


DAVID

Rumors?

TYLER

Your daughter made some pretty outrageous claims.


ALICE

Laura’s not really one to cry wolf, Mr. Faral.


TYLER

(smirks)

Cry wolf? Hm, cute. It fits since your little wolf snapped at my boy. You know who has a worse bite? My lawyers.


DAVID

Oh, that won’t be necessary. I’m sure we can reach some kind of agreement. No need for things to get ugly, right?


EXT. HOME - BACK YARD - NIGHT


Clouds block most of the moonlight, can barely see Laura hunched over near the bushes, body wracked with pain.


BEN (O.S.)

You okay?


Laura spins, sees Ben by the back door, blocks her only way in.


LAURA

I’m fine. What are you doing out here?


BEN

What kind of a guy wouldn’t check on a beautiful girl who’s not feeling well?

LAURA

I didn’t ask for your help, or your attention.


BEN

I’ve seen the way you look at me, you didn’t need to ask.


LAURA

Just leave me alo--


Laura winces, holds her stomach. Ben steps away from the door, heads her way.


INT. HOME - DINING ROOM - NIGHT

TYLER

I want a public apology from your daughter. I want her to admit that she made up the accusations that Ben tried to “rape her.”


DAVID

Public? I think a letter to the coach or the school would suffice, yes?


TYLER

Do as I say, or do what the lawyers say. Your choice.


EXT. HOME - BACK YARD - NIGHT


Ben gets close to Laura, runs his hand along her back -- she knocks his arm away.


LAURA

Why can’t you just do what I ask?

Ben steps back, eyes go wide.


Laura cocks her head in confusion, glances down at where he’s staring...


HER WHITE SKIRT HAS A BLOOD STAIN.


A FLASH from a camera, Laura looks up to see Ben put his phone away.


LAURA (CONT’D)

What the hell?!

BEN

Embarrassing, isn’t it? All of the older guys made fun of me for getting beat up by you, letting you get away. That won’t happen again.


LAURA

(pained) Ben, please...


BEN

I don’t know what it is about you, but... You said “no” once, you’ll say “yes” whenever I ask or I’ll post this everywhere. Your choice.


INT. HOME - DINING ROOM - NIGHT

David and Alice sit quietly, Alice smirks.

ALICE

Our choice, eh? Doesn’t really feel like it.


TYLER

I’m not in control of your feel--

ALICE

Yes, feelings and hormones are hard to control, aren’t they?


Tyler grimaces, hates being interrupted.


EXT. HOME - BACK YARD - NIGHT


Laura stares at Ben, his arrogance on full display, what’s she going to do?


The clouds pass across the night sky, reveal a FULL MOON.

ALICE (V.O.)

It’s a tough time, for any child.


Laura winces in pain, rushes over to the bushes and spits out BLOOD AND SOME TEETH, her incisors and canines to be exact.


ALICE (V.O.)

Their bodies change, things become hard to manage.


Laura runs her tongue along her teeth, they’ve been replaced by longer, sharper teeth, like a wolf.

Laura winces, more pain. She stumbles off into the dark, out of sight.


Ben steps forward, confused/angry.

BEN

You better not try to blame this on me, too, you hear me?


Nothing, silence.


BEN (CONT’D)

You hear me, bitch?!

The silence continues...

ALICE (V.O.)

And if these moments are handled properly...


A LOW GROWL COMES FROM THE DARK, PREDATORY EYES SHINE IN THE DARK.


ALICE (V.O.)

Things can get messy.

Ben stumbles back, starts to cry out for help--

--A CLAW THRUSTS INTO HIS NECK, RIPS OUT HIS THROAT.


INT. HOME - DINING ROOM - NIGHT

Tyler studies David and Alice... Smiles.

TYLER

I like you two, you’ve got more bark than I thought. As for messy, ask my ex-wife how bad it went for her when my lawyer got involved, you’ll need her advice if your girl doesn’t apologize.


DAVID

I’m sorry, but I just don’t see her giving that public apology.


TYLER

Then you’ve given us no other choice. Eat, or be eaten in this world. Remember that.


David eyes Alice, an unfortunate turn of events. David glances behind Tyler, smiles like a proud father.

DAVID

Ah, well, we’re in luck. It seems that the kids resolved the matter themselves.


Tyler goes to turn around-- THUD

--BEN’S HEAD LANDS ON THE TABLE IN A GORY MESS.

TYLER

Ben?! What the fuck?!


Tyler spins, can’t see down the dark hall, but he can see the WOLF-LIKE EYES.


Tyler jumps up, tries to run for the door--


--David POUNCES on Tyler, pins him to the ground as David’s eyes become wolf-like.


DAVID

(guttural)

We gave you a chance, both of you. Seems like your boy didn’t learn the first time. We can’t have anyone digging into our business, we’re very private.


Alice rises, eyes Tyler.

ALICE

“Eat, or be eaten.” Isn’t that right?


Alice smiles as her teeth elongate, eyes become wolf-like. She lunges at Tyler as he screams.


LATER


Laura, Alice and David wipe their hands. The room’s covered in blood.


ALICE (CONT’D)

(to Laura) Stomach all better?


Laura nods, yep. Alice smiles, reaches over, scratches her daughter behind her ear. Laura laughs, leans her head into mother’s hand.

DAVID

What did I tell ya? One meal and it’d be all over.


David accidentally lets out a burp, blushes.

ALICE

Some things never change.


They laugh, the epitome of a happy family as blood and chunks of flesh drip down the walls.


FADE TO BLACK.